Botanist Tim Hogan Reviews Eileen Crist’s Abundant Earth and Writes on “The Green World”

Tim Hogan, Zen Mountain Man and Collections Manager of Botany at the University of Colorado Boulder’s Museum of Natural History, just shared his review of Eileen Crist’s Abundant Earth: Toward an Ecological Civilization (University of Chicago Press, 2019).

After quoting Paul Shephard saying that “the ‘civilized mind’ attempts to simplify and level the world, whereas the ‘[indigenous] mind’ is not afraid to become enmeshed in its complexity,” Tim concludes (p. 108):

Futureprimitive bioregionalists find solace in such views, acknowledging the transformation toward an ecological civilization, if it is to be realized, will be multigenerational. Arne Naess, the founder of Deep Ecology, is reputed to have said he was pessimistic about the 21st century but optimistic about the 22nd. If we are to make it through the coming decades, Eileen Crist’s Abundant Earth may be viewed as one of the maps that helped pull us through.

Tim Hogan, “Review Essay,” Abundant Earth Toward an Ecological Civilization by Eileen Crist, The Trumpeter Journal of Ecosophy 35:1 (2019) 97–108 [PDF]

Also see Tim’s informative long essay on plants, the miracle of photosynthesis, and threats to species diversity:

Tim Hogan, “The Green World,” The Ecological Citizen 3, Suppl A (2019): 13-21. [PDF]

Suburban Sapling (Eating Light!)

Smokey the Bear Sutra (1969) and Smokey’s Rebirthday (2019)

This morning Meri reminded me that today is the 75th rebirthday of Smokey the Bear, so together we read out loud, antiphonally, the Smokey the Bear Sutra under the Sunflowers of Vairocana and over breakfast.

Smokey the Bear Rebirthday Sutra 9AUG19.001

Of this Smokey the Bear Sutra, Katherine McNeil has this in her bibliography (Entry A 20):

Single leaf broadside.…Printed in black on light yellow paper. Published anonymously. According to Snyder, he had “Smokey” printed on the occasion of the Sierra Club’s Biennial Wilderness Conference in San Francisco, February 1969. He took the text to East Wind Printers and paid them $110 to print up 1,000 copies. The next day he and friend Keith Lampe distributed the broadside in the lobby of the San Francisco Hilon Hotel, site of the conference. An unknown number of subsequent printings were made [“It just goes and goes”] and the Sierra Club was the last known proprietor of the plate. The poem was later collected in the Shaman Drum Press publication The Fudo Trilogy [Entry A 46]. (Katherine McNeil, Gary Snyder: A Bibliography (New York: The Phoenix Bookshop, 1983), pp. 38–39).

So this from our library as well:

Gary Snyder Fudo Triliogy 1973 MG

~ ~ ~

Once in the Jurassic about 150 million years ago,
the Great Sun Buddha in this corner of the Infinite
Void gave a Discourse to all the assembled elements
and energies: to the standing beings, the walking beings,
the flying beings, and the sitting beings — even grasses,
to the number of thirteen billion, each one born from a
seed, assembled there: a Discourse concerning
Enlightenment on the planet Earth.

“In some future time, there will be a continent called
America. It will have great centers of power called
such as Pyramid Lake, Walden Pond, Mt. Rainier, Big Sur,
Everglades, and so forth; and powerful nerves and channels
such as Columbia River, Mississippi River, and Grand Canyon.
The human race in that era will get into troubles all over
its head, and practically wreck everything in spite of
its own strong intelligent Buddha-nature.”

“The twisting strata of the great mountains and the pulsings
of volcanoes are my love burning deep in the earth.
My obstinate compassion is schist and basalt and
granite, to be mountains, to bring down the rain. In that
future American Era I shall enter a new form; to cure
the world of loveless knowledge that seeks with blind hunger:
and mindless rage eating food that will not fill it.”

And he showed himself in his true form of

SMOKEY THE BEAR

—Gary Snyder, Smokey the Bear Sutra (preamble)

“Fieldwork: Gary Snyder, Libraries, and Book Learning” in A Sense of the Whole

Available here is a PDF of Appendix 3:  

Mark Gonnerman, “Fieldwork: Gary Snyder, Libraries, and Book Learning,” in A Sense of the Whole: Reading Gary Snyder’s Mountains and Rivers Without Ended. Mark Gonnerman (Berkeley: Counterpoint Press, 2015), 291–315.

Gonnerman_Gary Snyder and Book Learning_A Sense of the Whole 2015

Kitkitdizze Library 1998

Saburo Hasegawa and Isamu Noguchi Exhibition (Yokohama! Queens! San Francisco!) and Books

The other day, Meri Mitsuyoshi caught a Wall Street Journal article introducing Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan. This exhibition opened at Japan’s Yokohama Museum of Art (January 12–March 24), is currently at the Noguchi Museum in Queens (May 1–July 14, 2019), and will be at the Asian Art Museum in San Francisco this coming September 27–December 8, 2019!

This superb (by all accounts) exhibition is curated by Dakin Hart, Senior Curator at The Noguchi Museum, and Mark Dean Johnson, Professor and Gallery Director at San Francisco State University. In addition to a bilingual exhibition catalogue, there is The Saburo Hasegawa Reader, a new and no-cost download from UC Press:

Saburo Hasegawa Reader

https://luminosoa.org/site/books/10.1525/luminos.70/

Materials by and about Hasegawa have been difficult to come by and now, suddenly, we have this treasure trove! Thanks to everyone at UC Press who made The Saburo Hasegawa Reader possible and available as an open access monograph.

Readers may remember that Gary Snyder attributes the start of Mountains and Rivers Without End to a conversation over tea in San Francisco with Hasegawa on Shakyamuni Buddha’s birthday, April 8, 1956, as noted in his “The Making of Mountains and Rivers Without End” essay (M&RWE 155) and also here (see top entry):

Hasegawa GSJ_ParisReview_8.IV.56_Hasegawa

[Initial   Conception: 8:IV:1956 occurred during a long talk with Hasegawa Saburo on Sesshu.]

From Eliot Weinberger, “Gary Snyder:  The Art of Poetry LXXIV.”  The Paris Review  141 (Winter 1996): 89-118, available via this link.  A video of this Paris Review interview is available here on YouTube.

Haswegawa I-Ro-Ha 1954 WSJ copy

Here’s the Journal article mentioned above: Larry Esplund, “‘Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan’ Review: Beauty without Borders,” Wall Street Journal (3 June 2019), p. A19, available here as a PDF.

Meri and I enjoyed an afternoon at the Noguchi Museum several years ago. When I commented on how good it will be to see this show at the Asian, she sighed and said, “Yes, but the light at the Noguchi . . .”

ADDENDUM:
I am happy to report that Meri & I were able to catch this exhibition at the Asian Art Museum on October 27 as part of our wedding anniversary day adventures:

Meri at Hasegawa Noguchi Exhibit 27OCT19

On at the Asian in San Francisco until 8 December 2019!

Three Interviews with Richard Powers (links and printable PDFs)

Powers Overstory Book Image (small)Here I’ll attach two recent interviews with Richard Powers, author of The Overstory (2018) in a PDF format that makes them easy to print out and read with pen in hand, which always enlivens the reading experience for me:

1] Everett. Hamner, “Here’s to Unsuicide: An Interview with Richard Powers,” Los Angeles Review of Books (7 April 2018). at http://lareviewofbooks.org/article/heres-to-unsuicide-an-interview-with-richard-powers .

Powers Overstory LARB 7 April 2018 [Printable PDF]

2] Nick Hunt, “Older than Writing: A Conversation with Richard Powers,” Dark Mountain 15 (Spring 2019), at https://dark-mountain.net/older-than-writing .

Richard Powers Dark Mountain Interview 7MAY19 [Printable PDF]

As he tells in these interviews, Powers’ research adventure that became The Overstory begins with his escape from Silicon Valley into the Santa Cruz Mountains and an encounter with an old growth redwood, Methuselah, who converted him into a new awareness of the more-than-human world that sustains our own species being.

3] You may also enjoy this Shakespeare and Company Bookshop interview with Richard Powers by an excellent (and anonymous, so far as I can tell) interlocutor on YouTube (1 October 2018):

Back from Kitkitdizze with Qionglin Tan and Yingying Deng from Hunan University

Professor Qionglin “Joan” Tan, Yingying “Hannah” Deng, and I visited Gary Snyder at Kitkitdizze on 8 February 2019. There we caught up on news from the Center for Gary Snyder Studies Joan founded at Hunan University in 2015.

Joan Tan Gary Snyder Hannah Deng 8FEB19 KitkitdizzeJoan, Gary, Hannah (8Feb19)

Professor Tan’s advisee, Ms. Deng, a Changsha native, is enjoying a dissertation research year at UC Berkeley.

Gary Snyder & Joan Tan 8Feb19Gary & Joan (8Feb19)

Joan is the author of Han Shan, Chan Buddhism, and Gary Snyder’s Ecopoetic Way (Brighton: Sussex Academic Press, 2009) and has translated a number of Gary’s books into Chinese.

Gary Snyder and Mark Gonnerman Kitkitdizze 8FEB19Gary & Mark at Kitkitdizze (8Feb19)

We stopped by the Snyder archive at UC Davis, headed to Kitkitdizze the next day, and paid our respects to Mt. Tamalpais on the return trip to Berkeley.

Hannah on Tam 9FEB19 KitkitdizzeHannah on Tam (9Feb19)

 

Living in Place with Peter Berg and Gary Snyder in Mind: Becoming Cascadian Retreat Handout

Here is the handout i created for a breakout session at the inspirational “Becoming Cascadian” retreat hosted by Paul Nelson and Bhakti Watts in the Cedar River Watershed on the shore of Lake Washington this past May 31–June 3.

Becoming Cascadian Handout MG V.18

Our time together featured presentations by Andrew Schelling and Tetsuzen Jason Wirth, who took us into an in-depth exploration of Kubota Garden, founded by Fujitara Kubota, who emigrated from Shikoku via Hawai‘i in 1907.

Kubota Garden June 2018

 

 

 

 

 

 

 

Kazuaki Tanahashi Publishes ‘Painting Peace: Art In Times of Global Crisis’ (2018)

Kazuaki Tanahashi kindly sent me his latest book from Shambhala Press: a retrospective review of his paintings accompanied by stories that invite the reader to become better acquainted with the good life of this wandering Berkeley-based artivist (activist artist).

Kaz Painting Peace Cover
Kaz’s book contains a chapter about his painting, Bristle Cone Pine, two scrolls that played a key role in our Mountains & Rivers Workshop.

The PDF via the link below contains the Table of Contents and the “Bristlecone Pine” chapter (pp. 192–97).

Kaz Peace Painting 2018 Bristlecone Pine

Kaz Bristlecone Pine Chapter layout

I’m enjoying the practice of perusing one chapter from Painting Peace each day.

Thank you, Kaz.

Mark Gonnerman Interviewed by Denis Pugenov on Teaching the Beats at Hunan University in China (Published in English and Russian, September 2017)

Mark Gonnerman was interviewed by Denis Punegov, the founding editor of the St. Petersburg zine, Svyazi, about teaching beat culture and literature and his experience with this at Hunan University in China. You may download the PDF of this article via the link below:

Denis Punegov, “War For Imagination [Interview on the Beats with Mark Gonnerman],” Svyazi [St. Petersburg (in English and Russian)] No. 3/3 (September 2017): 93–136. [PDF]