Keiji Nishitani and “The Japanese Art of Arranged Flowers” (1953)
I recently gave a talk at the Cultural Integration Fellowship in San Francisco where I introduced the work of Keiji Nishitani (1900–1990) to a congenial and informed community of people interested in comparative and cross-cultural studies in philosophy, religion, cultural psychology, and the arts. While working on this, I became aware of an essay by […]
Continue reading →